The Good-Morrow
One of Donne’s greatest love poems. Waking beside his beloved, the speaker calls everything before this love a childish sleep, and argues that their joined love makes one little room a whole world that cannot die.
Category
Poems
Explore a growing archive of the world’s greatest poems, from the classical to the modern age. Each poem is presented in its original text, paired with thoughtful analysis and historical context. Whether you’re rediscovering the familiar or reading a timeless voice for the first time, these works reveal how poetry captures what endures in language — feeling, memory, and the shape of thought.
155 poems
Poems
Explore a growing archive of the world’s greatest poems, from the classical to the modern age. Each poem is presented in its original text, paired with thoughtful analysis and historical context. Whether you’re rediscovering the familiar or reading a timeless voice for the first time, these works reveal how poetry captures what endures in language — feeling, memory, and the shape of thought.
Up-Hill
A weary traveler asks whether the road climbs all the way to the end, and an unseen voice answers. Rossetti’s dialogue turns life into an uphill journey and death into a welcoming inn with beds for all who come.
Sympathy
The poem that gave Maya Angelou her memoir title. Dunbar’s caged bird — beating its wings, singing not for joy but as a prayer for freedom — became one of American poetry’s great images of oppression and longing.
A Birthday
The poet of renunciation wrote one great burst of joy. “A Birthday” overflows with similes, then demands a jewelled throne — and its imagery is so sacred that the love who “is come” may be earthly, divine, or both.
Song (When I Am Dead, My Dearest)
Written when Rossetti was a teenager, this gentle “Song” asks a lover to skip the roses and sad songs — and grants him the freedom to remember her or forget. A serene, quietly radical meditation on death.
Grass
In Carl Sandburg’s “Grass” (1918) the grass itself speaks, burying the dead of Austerlitz, Gettysburg, and Verdun until travelers forget the battles ever happened — a quiet, chilling anti-war poem.
Fog
Carl Sandburg’s six-line “Fog” (1916) likens a harbor mist to a cat that sits on silent haunches and then moves on — his most famous short poem and a touchstone of American imagism.
Chicago
Carl Sandburg’s 1914 free-verse portrait of his adopted city hears every accusation against Chicago, grants them, and answers with fierce pride in its labor and rough, unbeatable vitality.
Endymion
Keats’s longest poem opens “A thing of beauty is a joy for ever.” A reading of his 1818 romance: the shepherd Endymion’s quest for the moon goddess, its lush couplets, and its harsh critical reception.
When I Have Fears That I May Cease to Be
Facing the dread of an early death, Keats fears dying before his pen empties his teeming brain, before he traces the sky’s visions, before he loves. A reading of his 1818 sonnet on mortality, ambition, and love.
The Soldier
Facing death in the First World War, a soldier imagines the foreign field where he might lie becoming “for ever England.” A reading of Brooke’s 1914 sonnet: its patriotism, form, and idealised vision of home.
Death Be Not Proud (Holy Sonnet 10)
John Donne addresses death as a powerless braggart and argues that, for the faithful, it is only a short sleep before eternal waking. A reading of Holy Sonnet 10’s argument, form, and famous closing paradox.