Childe Harold’s Pilgrimage (Canto III — Selected Excerpts)
Exile becomes self-fashioning in Byron’s Canto III, where Spenserian stanzas join spectacle to inward pilgrimage.
Don Juan (Canto I — Selected Excerpts)
In witty ottava rima, Byron’s “Don Juan” swaps epic heroics for satire — a comic anatomy of desire and hypocrisy.
Darkness
An apocalyptic lyric from 1816, “Darkness” imagines a sunless world — grandeur without comfort, entropy without appeal.
So, We’ll Go No More a Roving
A tender farewell to excess, Byron’s lyric accepts time’s limits so that love may last.