Prometheus
Byron’s “Prometheus” is a secular hymn to endurance — rebellion transfigured into human strengthening and proud dignity.
Stanzas to Augusta (Selected Excerpts)
A lyric of loyal solace, “Stanzas to Augusta” turns exile into principle and finds one witness against the world.
Fare Thee Well
A public farewell with private ache, “Fare Thee Well” turns repetition into injured grace during Byron’s marital collapse.
She Walks in Beauty
Byron’s classic lyric celebrates beauty as harmony — a poised balance of dark and bright, surface and soul.
When We Two Parted
A restrained lyric of secrecy and betrayal, “When We Two Parted” turns grief into judgment with tolling simplicity.
Childe Harold’s Pilgrimage (Canto III — Selected Excerpts)
Exile becomes self-fashioning in Byron’s Canto III, where Spenserian stanzas join spectacle to inward pilgrimage.
Don Juan (Canto I — Selected Excerpts)
In witty ottava rima, Byron’s “Don Juan” swaps epic heroics for satire — a comic anatomy of desire and hypocrisy.
Darkness
An apocalyptic lyric from 1816, “Darkness” imagines a sunless world — grandeur without comfort, entropy without appeal.
So, We’ll Go No More a Roving
A tender farewell to excess, Byron’s lyric accepts time’s limits so that love may last.
Paradise Lost (Selected Excerpts)
Milton’s epic of the Fall explores freedom and obedience in sweeping blank verse — theology unfolding as dramatic action.
Lycidas (Selected Excerpts)
Milton’s pastoral elegy blends classical rite and Christian prophecy, turning grief into renewed vocation.
On His Blindness (Sonnet XIX)
Milton’s Sonnet XIX reframes vocation through patience: “They also serve who only stand and wait.”